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| © Praesens Film |
Korine by no means condones the decadence he is conjuring up on screen. His glossy exhibition of naked bodies, phallic symbols ranging from bottles and funnels to children’s balloons, and women gleefully accepting their being reduced to mere objects of carnal desire is a furious indictment of the original advertisement’s target audience. Korine all but spits in the faces of those who – he thinks – are filling the multiplexes in the hope of seeing exposed flesh.
Ganze Kritik auf The Zurich English Student (online einsehbar).
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