© Ben Rivers / Locarno Film Festival |
"Shot on predominantly black-and-white 16-millimetre film stock in various stages of degeneration and accompanied by a steady soundscape of rustling leaves and twittering birds, Bogancloch is ultimately a film about the ephemerality of human existence and experience – and the art of coming to terms with that fact and appreciating the beauty that lies in the apparent 'pointlessness' of life."
Full review available at Filmexplorer
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