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"What makes Dahomey the invigorating piece of political filmmaking that it is, is precisely its refusal to settle on a definitive narrative about 'the 26,' to be content with any interpretation of what their return means politically, economically, socially, or historically, or to take for granted any of the edifying – or more pessimistic – stories one might graft onto their widely mediatised homecoming."
Full review available at Filmexplorer
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